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Shaun C. Badham



DREAMSPACE:
PENDING APPROVAL

2025 - Base for Making
2025 - Groundwork

EDGELANDS
2025 - The Biscuit
2024 - An Edgeland Plot
2024 - The Passing Series
2023 - House of Annetta
2023 - Herons Stream
2022/23 - Tidehouse

FOLLOW THE FOREST
2025 - Follow the Forest Audio/Map
2024 - Follow the Forest Walk
2023 - Marking the Land Publication
2022 - Marking the Land Walk

PLOT
2025 - Land Barriers
2023 - Splitting the Land
2022 - TOW
2021 - Podcast
2021 - The Peoples Landscape
2021 - Brandenburg, Germany
2021 - Tsarino
2021 - Estuary Festival
2021 - Geographical Map Paintings
2020 - Caraboo Loops
2020 - Alexandra Road
2020 - This Plot is Not for Sale
2019 - The Haven
2019 - A Street Loud with Echoes
2019 - Briquette
2018 - Research Panels
2018 - River Garage Studio
2018 - Back Lane West

MORNING
2018/20 - Featured
2017 - Kestle Barton
2017 - Essay
2017 - Goldsmiths
2016 - Publication
2016/17 - Moon Probe
2016 - Alexandra Road
2016 - King Edward Centre
2016 - Victoria Park
2015 - Posters and T-shirts
2014/15 - Research
2014 - Liminal Space
2014 - Encounter

I’M STAYING
2021 - Outpost Members Show
2019 - Adaptation to the Home
2019 - The Will to Proceed
2019 - WordPower: Language as Medium
2018/21 - Neon (London)
2018 - Currency
2015/18 - T-shirt
2016 - YAC Interview
2016 - Survey Paintings
2015 - Collection #1
2015 - Bristol Pound/Neon Video
2014/16 - Neon (Bristol)
2013 - Sketches

Assortment
2021 - Forced Collaboration
2019 - The Call of Home
2019 - Uniform
2019 - Dialogues 5 at Newbridge
2016 - B Drawings
2013 - Paper Stages
2013 - In Official Proceedings
2013 - Port and Starboard


Mark






Ranging from plant matter to mass produced souvenirs, Odds presents a collection of objects that artists hold dear. By investigating the relationship between the peripheral (and indispensable) materials that live with artists in their homes or studios, and their outward facing practices, Odds offers an insightful look into the creative process. Whether it be a withered root of fennel, a scale model of Notre Dame, repeating lines of code or a pair of wooden trousers, the eclectic range of objects brought together from around the world demonstrates the enthusiasm and openness of every artist involved.

For Odds I presented a framed image of a road sign which reads Basildon Road, which I have had in an old re-used frame for the last 5 years.
Around 2014 I moved back to my birth town of Basildon which subsequently led to myself working on the MORNING Project. I became fascinated in the history of my hometown, from The Plotlands to the New Town. I have spent some time viewing old maps of Basildon pre new town, and discovering erased road networks. During the process of walking to these lost roads, I found a road sign reading Basildon Road, which I was unaware existed. This single images marks a significant shift in my practice, and my personal pursuit to understand my hometown.

Photography by Joe and Charlotte