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Shaun C. Badham



EDGELANDS
2023 - House of Annetta
2023 - Herons Stream
2022/23 - Tidehouse

MARKING THE LAND
2023 - Marking the Land Publication
2022 - Marking the Land Walk
PLOT
2024 - Land Barriers
2023 - Splitting the Land
2022 - TOW
2021 - Podcast
2021 - The Peoples Landscape
 2021 - Brandenburg, Germany
2021 - Tsarino
2021 - Estuary Festival
2021 - Geographical Map Paintings
 2020 - Caraboo Loops
2020 - Alexandra Road
2020 - This Plot is Not for Sale
2019 - The Haven
2019 - A Street Loud with Echoes
2019 - Briquette
2018 - Research Panels
2018 - River Garage Studio
2018 - Back Lane West

MORNING
2018/20 - Featured
2017 - Kestle Barton
2017 - Essay
2017 - Goldsmiths
2016 - Publication
2016/17 - Moon Probe
2016 - Alexandra Road
2016 - King Edward Centre
2016 - Victoria Park
2015 - Posters and T-shirts
2014/15 - Research
2014 - Liminal Space
2014 - Encounter

I’M STAYING
2021 - Outpost Members Show
2019 - Adaptation to the Home
2019 - The Will to Proceed
2019 - WordPower: Language as Medium
2018/21 - Neon (London)
 2018 - Currency
2015/18 - T-shirt
2016 - YAC Interview
2016 - Survey Paintings
2015 - Collection #1
2015 - Bristol Pound/Neon Video
2014/16 - Neon (Bristol)
 2013 - Sketches

Assortment
2021 - Forced Collaboration
2019 - The Call of Home
2019 - Uniform
2019 - Dialogues 5 at Newbridge
2016 - B Drawings
2013 - Paper Stages
2013 - In Official Proceedings
2013 - Port and Starboard
Mark



Outpost Members Show 2021
Selected by Catalyst Arts

Shaun C. Badham | Charlie Barkus | Abi Charlesworth | Jamie George | Sophie Giller | Andy Hornett | Alida Kuzemczak-Sayer | Sandra Lane | Fernando León-Guiu | Natasha MacVoy | Benjamin McDonnell | Katherine Smith | Sid Smith

27 August - 3 October 2021





Title: I’M STAYING: Bristol Pound
Medium: Framed digital print
Size: 841 x 1189 mm
Date: 2015


I’M STAYING: Bristol Pound is a print consisting of overlapping scanned images of the Bristol Pound independent currency which has been stamped with the words I’M STAYING. The stamped currency was put back into circulation as an unsolicited intervention, which coincided with a travelling public neon sculpture (also reading I’M STAYING) which moved via democratic vote, quarterly around Bristol between 2014 and 16. The I’M STAYING project is ongoing.

Runnin

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