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Shaun C. Badham



EDGELANDS
2025 - The Biscuit
2024 - An Edgeland Plot
2024 - The Passing Series
2023 - House of Annetta
2023 - Herons Stream
2022/23 - Tidehouse

FOLLOW THE FOREST
2025 - Follow the Forest Audio/Map
2024 - Follow the Forest Walk
2023 - Marking the Land Publication
2022 - Marking the Land Walk

PLOT
2025 - Land Barriers
2023 - Splitting the Land
2022 - TOW
2021 - Podcast
2021 - The Peoples Landscape
2021 - Brandenburg, Germany
2021 - Tsarino
2021 - Estuary Festival
2021 - Geographical Map Paintings
2020 - Caraboo Loops
2020 - Alexandra Road
2020 - This Plot is Not for Sale
2019 - The Haven
2019 - A Street Loud with Echoes
2019 - Briquette
2018 - Research Panels
2018 - River Garage Studio
2018 - Back Lane West

MORNING
2018/20 - Featured
2017 - Kestle Barton
2017 - Essay
2017 - Goldsmiths
2016 - Publication
2016/17 - Moon Probe
2016 - Alexandra Road
2016 - King Edward Centre
2016 - Victoria Park
2015 - Posters and T-shirts
2014/15 - Research
2014 - Liminal Space
2014 - Encounter

I’M STAYING
2021 - Outpost Members Show
2019 - Adaptation to the Home
2019 - The Will to Proceed
2019 - WordPower: Language as Medium
2018/21 - Neon (London)
2018 - Currency
2015/18 - T-shirt
2016 - YAC Interview
2016 - Survey Paintings
2015 - Collection #1
2015 - Bristol Pound/Neon Video
2014/16 - Neon (Bristol)
2013 - Sketches

Assortment
2021 - Forced Collaboration
2019 - The Call of Home
2019 - Uniform
2019 - Dialogues 5 at Newbridge
2016 - B Drawings
2013 - Paper Stages
2013 - In Official Proceedings
2013 - Port and Starboard


Mark




Focal Point Gallery

Tip of the Iceberg

12 September 2021 to 9 January 2022



For Tip of the Iceberg I have been working on PLOT: The Peoples’ Landscape which explores the social, cultural and historical connections between current day society run allotments in the Borough of Southend and historical alternative uses of land such as the Plotlanders (Plotlands refers to small pieces of land laid out in regular plots on which a number of self-built settlements were established in the south-east of England from the late 1800s and up to the Second World War). The Plotlanders could be described as both a community, a movement and a way of life which although no longer exists in the same way, could be seen to live on through today’s allotment societies; particularly through a DIY sensibility, growing your own and community care via working the land.

This new body of work includes a series of map drawings of five society run allotments developed through an ongoing collaborative process with the community who work the land. Through these conversations a series of oral histories will be captured and made available as a digital podcast, exploring the thematical links between the communities and time periods. Once complete each drawing will be re-printed and gifted back to the allotment societies as a record.

Reviews
‘The Tip of the Iceberg’ by Ellen Mara De Wachter for the Contemporary Art Society’s Friday Dispatch. Read it here

Photography Anna Lukala