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Shaun C. Badham



EDGELANDS
2025 - The Biscuit
2024 - An Edgeland Plot
2024 - The Passing Series
2023 - House of Annetta
2023 - Herons Stream
2022/23 - Tidehouse

FOLLOW THE FOREST
2025 - Follow the Forest Audio/Map
2024 - Follow the Forest Walk
2023 - Marking the Land Publication
2022 - Marking the Land Walk

PLOT
2025 - Land Barriers
2023 - Splitting the Land
2022 - TOW
2021 - Podcast
2021 - The Peoples Landscape
2021 - Brandenburg, Germany
2021 - Tsarino
2021 - Estuary Festival
2021 - Geographical Map Paintings
2020 - Caraboo Loops
2020 - Alexandra Road
2020 - This Plot is Not for Sale
2019 - The Haven
2019 - A Street Loud with Echoes
2019 - Briquette
2018 - Research Panels
2018 - River Garage Studio
2018 - Back Lane West

MORNING
2018/20 - Featured
2017 - Kestle Barton
2017 - Essay
2017 - Goldsmiths
2016 - Publication
2016/17 - Moon Probe
2016 - Alexandra Road
2016 - King Edward Centre
2016 - Victoria Park
2015 - Posters and T-shirts
2014/15 - Research
2014 - Liminal Space
2014 - Encounter

I’M STAYING
2021 - Outpost Members Show
2019 - Adaptation to the Home
2019 - The Will to Proceed
2019 - WordPower: Language as Medium
2018/21 - Neon (London)
2018 - Currency
2015/18 - T-shirt
2016 - YAC Interview
2016 - Survey Paintings
2015 - Collection #1
2015 - Bristol Pound/Neon Video
2014/16 - Neon (Bristol)
2013 - Sketches

Assortment
2021 - Forced Collaboration
2019 - The Call of Home
2019 - Uniform
2019 - Dialogues 5 at Newbridge
2016 - B Drawings
2013 - Paper Stages
2013 - In Official Proceedings
2013 - Port and Starboard


Mark





Throughout the PLOT project the symbol of the water well has reoccurred, and I think this can be traced back to 2016 when Nina Humphrey showed me the remnants of her own plotland water wells in Victoria Park in Laindon. Though the shrubbery has slowly reclaimed Nina’s family plotland wells it was still traceable to her and Colin (Nina’s husband). It is a relic that is both deeply personal to Nina but also interconnected to the wider plotland history, as many plotlanders had none or very little mains services such as water, electricity or sewage. Many plotlanders relied on water wells or standpipes to survive and the decision not to connect the plotlanders to mains services was certainly a political and strategic act by the local authority at the time. This could be seen as an early act of managed decline, which subsequently laid the groundwork for the area to be designated as a new town in 1949.

In early 2020 I was invited by Metal to be a remote (covid) artist in residence at Wat Tyler Country Park in Basildon as part of Estuary Festival. For the festival I have been exploring the vast history of water wells within the Borough and their relation to local politics, displacement, diy living, folklore, geology and of course the local plotland community.

My research has taken me both overground and underground enabling me to research, data, surveys, histories and personal anecdotes surrounding waters wells in the Basildon Borough. Initially I spent time researching recorded water wells using geological survey maps to pinpoint the locations of historically prominent water wells. By taking the depth of each well I was able to imagine the crossovers and interactions taking place underground. Below are a series of Geographical Map Paintings which will feature as part of the Estuary Festival 2021.



Geographical Map Painting; Basildon. Series of 10. Dittany Emulsion part of the harvest collection on 230gsm Matt coated paper. 29.7 x 42 cm.





Geographical Map Painting; Billericay. Series of 10. Dittany Emulsion part of the harvest collection on 230gsm Matt coated paper. 29.7 x 42 cm.




Geographical Map Painting; Great Berry. Series of 10. Dittany Emulsion part of the harvest collection on 230gsm Matt coated paper. 29.7 x 42 cm.






Geographical Map Painting; Langdon Hills. Series of 10. Dittany Emulsion part of the harvest collection on 230gsm Matt coated paper. 29.7 x 42 cm.



Geographical Map Painting; Lee Chapel. Series of 10. Dittany Emulsion part of the harvest collection on 230gsm Matt coated paper. 29.7 x 42 cm.






Geographical Map Painting; North Benfleet. Series of 10. Dittany Emulsion part of the harvest collection on 230gsm Matt coated paper. 29.7 x 42 cm.




Geographical Map Painting; Oozedam. Series of 10. Dittany Emulsion part of the harvest collection on 230gsm Matt coated paper. 29.7 x 42 cm.





Geographical Map Painting; Stanford Le Hope. Series of 10. Dittany Emulsion part of the harvest collection on 230gsm Matt coated paper. 29.7 x 42 cm.




Geographical Map Painting; Wat Tyler. Series of 10. Dittany Emulsion part of the harvest collection on 230gsm Matt coated paper. 29.7 x 42 cm.




Geographical Map Painting; Wat Tyler. Series of 10. Dittany Emulsion part of the harvest collection on 230gsm Matt coated paper. 29.7 x 42 cm.







Geographical Map Painting; Wickford. Series of 10. Dittany Emulsion part of the harvest collection on 230gsm Matt coated paper. 29.7 x 42 cm.