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Shaun C. Badham



EDGELANDS
2025 - The Biscuit
2024 - An Edgeland Plot
2024 - The Passing Series
2023 - House of Annetta
2023 - Herons Stream
2022/23 - Tidehouse

FOLLOW THE FOREST
2025 - Follow the Forest Audio/Map
2024 - Follow the Forest Walk
2023 - Marking the Land Publication
2022 - Marking the Land Walk

PLOT
2025 - Land Barriers
2023 - Splitting the Land
2022 - TOW
2021 - Podcast
2021 - The Peoples Landscape
2021 - Brandenburg, Germany
2021 - Tsarino
2021 - Estuary Festival
2021 - Geographical Map Paintings
2020 - Caraboo Loops
2020 - Alexandra Road
2020 - This Plot is Not for Sale
2019 - The Haven
2019 - A Street Loud with Echoes
2019 - Briquette
2018 - Research Panels
2018 - River Garage Studio
2018 - Back Lane West

MORNING
2018/20 - Featured
2017 - Kestle Barton
2017 - Essay
2017 - Goldsmiths
2016 - Publication
2016/17 - Moon Probe
2016 - Alexandra Road
2016 - King Edward Centre
2016 - Victoria Park
2015 - Posters and T-shirts
2014/15 - Research
2014 - Liminal Space
2014 - Encounter

I’M STAYING
2021 - Outpost Members Show
2019 - Adaptation to the Home
2019 - The Will to Proceed
2019 - WordPower: Language as Medium
2018/21 - Neon (London)
2018 - Currency
2015/18 - T-shirt
2016 - YAC Interview
2016 - Survey Paintings
2015 - Collection #1
2015 - Bristol Pound/Neon Video
2014/16 - Neon (Bristol)
2013 - Sketches

Assortment
2021 - Forced Collaboration
2019 - The Call of Home
2019 - Uniform
2019 - Dialogues 5 at Newbridge
2016 - B Drawings
2013 - Paper Stages
2013 - In Official Proceedings
2013 - Port and Starboard


Mark



The Plotlanders
Back Lane West
Residency Period: 30th April to 18th May 2018
Exhibition: 17th May 2018


Press Release
Back Lane West is pleased to present The Plotlanders, an exhibition of new work produced by Shaun C Badham during his residency at the gallery. Shaun has been working on a long term project titled MORNING since 2014, which has since expanded in research and form.

MORNING, arose from the artist sustaining an injury which led him to re-­‐engage with his hometown, once moving back there after the accident. This led to his encounter with an abandoned set of climbing frames in a local park. The project extended into a research-­‐led site-­‐ specific project, investigating the correlation between these climbing frames, designed in the 1970s, with the area’s inclusion within the Basildon New Town experiment. Badham found a unique history in relation to the designation of Basildon as a new town, not just in the park but also across a social, political and geographical context. His aim was to consider this history while setting out to save and restore the park’s heritage climbing frames, giving them a new lease of life. They were painted in a UV sensitive paint, so when a UV torch is shone on them at night, they glow. Badham worked collaboratively throughout MORNING with local archive groups, design historians, curators, schools and other specialists. MORNING created a new park designed around the heritage climbing frames, with a series of public events including exhibitions, walks, talks and a publication.

As the first iteration of MORNING came to an end, his research with the Laindon District Community Archive Group continued with a specific focus on the Plotland community, he describes as: ‘The Plotlanders’ were a community who resided in Laindon in Basildon, Essex between 1900s and 1970s. The Plotlanders were known for their strong community ties and DIY ethos, as many built there own homes from scratch, at times using unconventional means. In 1949 Basildon was designated as a New Town, which led to multiple compulsive purchase orders on the Plotlanders.”

Badham has been exploring old Plotland sites in Laindon, which has led to discovering old wells, foundations and bricks embedded in the ground. This image of bricks became the starting point for a series of new paintings. Alongside the production of the paintings, Badham worked with BLW associates undertaking a workshop to create briquettes from recycled paper. These briquettes are a compressed form of biomass material such as charcoal, sawdust, wood
chips, peat, or paper which can be used for fuel and kindling to start a fire. The production of briquettes created a starting point for an open dialogue around not just the rise and fall of the Plotlands in Essex, but also concerns around communities being displaced and gentrification locally. The briquettes intended to embody the Plotland DIY ethos, while simultaneously operating a function. Members of the public are invited to take a briquette home on the exhibition night to use as fuel or heat on a cold day.


The exhibition was featured on Home Away From Home