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Shaun C. Badham



EDGELANDS
2025 - The Biscuit
2024 - An Edgeland Plot
2024 - The Passing Series
2023 - House of Annetta
2023 - Herons Stream
2022/23 - Tidehouse

FOLLOW THE FOREST
2025 - Follow the Forest Audio/Map
2024 - Follow the Forest Walk
2023 - Marking the Land Publication
2022 - Marking the Land Walk

PLOT
2025 - Land Barriers
2023 - Splitting the Land
2022 - TOW
2021 - Podcast
2021 - The Peoples Landscape
2021 - Brandenburg, Germany
2021 - Tsarino
2021 - Estuary Festival
2021 - Geographical Map Paintings
2020 - Caraboo Loops
2020 - Alexandra Road
2020 - This Plot is Not for Sale
2019 - The Haven
2019 - A Street Loud with Echoes
2019 - Briquette
2018 - Research Panels
2018 - River Garage Studio
2018 - Back Lane West

MORNING
2018/20 - Featured
2017 - Kestle Barton
2017 - Essay
2017 - Goldsmiths
2016 - Publication
2016/17 - Moon Probe
2016 - Alexandra Road
2016 - King Edward Centre
2016 - Victoria Park
2015 - Posters and T-shirts
2014/15 - Research
2014 - Liminal Space
2014 - Encounter

I’M STAYING
2021 - Outpost Members Show
2019 - Adaptation to the Home
2019 - The Will to Proceed
2019 - WordPower: Language as Medium
2018/21 - Neon (London)
2018 - Currency
2015/18 - T-shirt
2016 - YAC Interview
2016 - Survey Paintings
2015 - Collection #1
2015 - Bristol Pound/Neon Video
2014/16 - Neon (Bristol)
2013 - Sketches

Assortment
2021 - Forced Collaboration
2019 - The Call of Home
2019 - Uniform
2019 - Dialogues 5 at Newbridge
2016 - B Drawings
2013 - Paper Stages
2013 - In Official Proceedings
2013 - Port and Starboard


Mark




Estuary Festival
22nd May to 13th June 2021

PLOT: Water Laid was produced as part of Estuary Festival located at Wat Tyler Country Park. The work explores the history of water wells within the surrounding area through research into recorded and unrecorded local water wells, a series of geographical map paintings, a mobile sculptural wishing well on wheels and group conversations with locals included, Deanna Walker, Ken Porter, David Richards and Mary Saunderson. The project looks at 137 years of local history (1848-1985) through the use of wells.  Rich records that analyse the quality of water, ground, soil and usage, everything ranging from the British Explosive Syndicate well in Wat Tyler to the medicinal wells of Edwin Cash in Vange and much in-between. There has been a long standing folklore tradition that springs and wells were sacred places as water was initially thought to have healing powers, so many people would drink it, bathe in it or wish over it. This is evidenced by Mr Cash who got the water from his well (Vange Well no5), tested for medicinal purposes, and was later sold in local pharmacies. Mr Cash valued his magical water so much he built a Grecian style temple around the well, which still stands today in half ruin. This gesture seems comparable to the idea of wishing wells in that people would make a wish and toss a coin into a well. That wish would then be granted depending on how it landed at the bottom – heads it would be granted, tails the wish would be ignored. This ‘performative’ work for Estuary 2021 shares these stories and research, whilst inspiring new conversations about our most precious resource, water.