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Shaun C. Badham



EDGELANDS
2025 - The Biscuit
2024 - An Edgeland Plot
2024 - The Passing Series
2023 - House of Annetta
2023 - Herons Stream
2022/23 - Tidehouse

FOLLOW THE FOREST
2024 - Follow the Forest Walk
 2023 - Marking the Land Publication
2022 - Marking the Land Walk
PLOT
2025 - Land Barriers
2023 - Splitting the Land
2022 - TOW
2021 - Podcast
2021 - The Peoples Landscape
 2021 - Brandenburg, Germany
2021 - Tsarino
2021 - Estuary Festival
2021 - Geographical Map Paintings
 2020 - Caraboo Loops
2020 - Alexandra Road
2020 - This Plot is Not for Sale
2019 - The Haven
2019 - A Street Loud with Echoes
2019 - Briquette
2018 - Research Panels
2018 - River Garage Studio
2018 - Back Lane West

MORNING
2018/20 - Featured
2017 - Kestle Barton
2017 - Essay
2017 - Goldsmiths
2016 - Publication
2016/17 - Moon Probe
2016 - Alexandra Road
2016 - King Edward Centre
2016 - Victoria Park
2015 - Posters and T-shirts
2014/15 - Research
2014 - Liminal Space
2014 - Encounter

I’M STAYING
2021 - Outpost Members Show
2019 - Adaptation to the Home
2019 - The Will to Proceed
2019 - WordPower: Language as Medium
2018/21 - Neon (London)
 2018 - Currency
2015/18 - T-shirt
2016 - YAC Interview
2016 - Survey Paintings
2015 - Collection #1
2015 - Bristol Pound/Neon Video
2014/16 - Neon (Bristol)
 2013 - Sketches

Assortment
2021 - Forced Collaboration
2019 - The Call of Home
2019 - Uniform
2019 - Dialogues 5 at Newbridge
2016 - B Drawings
2013 - Paper Stages
2013 - In Official Proceedings
2013 - Port and Starboard
Mark





The Biscuit
Timber, Ceramic Tiles, Aluminium Corregute and Screws
Lawsons Park, Grizedale, 2025

Shaun C Badham, Chris Banks, Owen Neve and Sam Stafford with Tom Philipson

A text I wrote titled Tranquility is interwoven in Lawson Park, but also a sense of calm urgency for the Lawson Park website can be read here

Runnin

g on Cargo