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Shaun C. Badham



EDGELANDS
2025 - The Biscuit
2024 - An Edgeland Plot
2024 - The Passing Series
2023 - House of Annetta
2023 - Herons Stream
2022/23 - Tidehouse

FOLLOW THE FOREST
2025 - Follow the Forest Audio/Map
2024 - Follow the Forest Walk
2023 - Marking the Land Publication
2022 - Marking the Land Walk

PLOT
2025 - Land Barriers
2023 - Splitting the Land
2022 - TOW
2021 - Podcast
2021 - The Peoples Landscape
2021 - Brandenburg, Germany
2021 - Tsarino
2021 - Estuary Festival
2021 - Geographical Map Paintings
2020 - Caraboo Loops
2020 - Alexandra Road
2020 - This Plot is Not for Sale
2019 - The Haven
2019 - A Street Loud with Echoes
2019 - Briquette
2018 - Research Panels
2018 - River Garage Studio
2018 - Back Lane West

MORNING
2018/20 - Featured
2017 - Kestle Barton
2017 - Essay
2017 - Goldsmiths
2016 - Publication
2016/17 - Moon Probe
2016 - Alexandra Road
2016 - King Edward Centre
2016 - Victoria Park
2015 - Posters and T-shirts
2014/15 - Research
2014 - Liminal Space
2014 - Encounter

I’M STAYING
2021 - Outpost Members Show
2019 - Adaptation to the Home
2019 - The Will to Proceed
2019 - WordPower: Language as Medium
2018/21 - Neon (London)
2018 - Currency
2015/18 - T-shirt
2016 - YAC Interview
2016 - Survey Paintings
2015 - Collection #1
2015 - Bristol Pound/Neon Video
2014/16 - Neon (Bristol)
2013 - Sketches

Assortment
2021 - Forced Collaboration
2019 - The Call of Home
2019 - Uniform
2019 - Dialogues 5 at Newbridge
2016 - B Drawings
2013 - Paper Stages
2013 - In Official Proceedings
2013 - Port and Starboard


Mark





Marking the Land is a new publication from Shaun C Badham and James Ravinet. Conceived as a hyper-localised walking guide traversing a 4.5 mile circular section of The Essex Way, the project considers the radical nature of walking in enacting the permanence of public rights of way through our literal, physical trace in the landscape. With the reintroduction of a deadline under the Countryside Rights of Way Act 2000, the year 2031 will be the final opportunity to register forgotten paths, posing a threat to some 49,000 miles of routes and reinvigorating a new urgency to prevent the conclusive loss of public land and knowledge.

Beginning at Fairstead and looping back through Terling, the route passes several historical sites including 14th century frescoes, folkloric puddingstones and a former Smock Mill. Beyond these landmarks or artefacts, the publication looks to the landscape for deeper meaning: from land speculators and the agricultural depression to early examples of activism to reinstate disused paths in Essex. To be enjoyed remotely or as you follow the path, the project was initially conceived as a guided walk in 2022 to mark the 50 year anniversary of the Essex Way. Marking the Land is published by The Old Waterworks, and designed, illustrated and co-written by artist Philippa Stewart. Supported by the Essex County Council Arts and Cultural Fund.

You can purchase a copy here