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Shaun C. Badham



EDGELANDS
2025 - The Biscuit
2024 - An Edgeland Plot
2024 - The Passing Series
2023 - House of Annetta
2023 - Herons Stream
2022/23 - Tidehouse

FOLLOW THE FOREST
2025 - Follow the Forest Audio/Map
2024 - Follow the Forest Walk
2023 - Marking the Land Publication
2022 - Marking the Land Walk

PLOT
2025 - Land Barriers
2023 - Splitting the Land
2022 - TOW
2021 - Podcast
2021 - The Peoples Landscape
2021 - Brandenburg, Germany
2021 - Tsarino
2021 - Estuary Festival
2021 - Geographical Map Paintings
2020 - Caraboo Loops
2020 - Alexandra Road
2020 - This Plot is Not for Sale
2019 - The Haven
2019 - A Street Loud with Echoes
2019 - Briquette
2018 - Research Panels
2018 - River Garage Studio
2018 - Back Lane West

MORNING
2018/20 - Featured
2017 - Kestle Barton
2017 - Essay
2017 - Goldsmiths
2016 - Publication
2016/17 - Moon Probe
2016 - Alexandra Road
2016 - King Edward Centre
2016 - Victoria Park
2015 - Posters and T-shirts
2014/15 - Research
2014 - Liminal Space
2014 - Encounter

Iā€™M STAYING
2021 - Outpost Members Show
2019 - Adaptation to the Home
2019 - The Will to Proceed
2019 - WordPower: Language as Medium
2018/21 - Neon (London)
2018 - Currency
2015/18 - T-shirt
2016 - YAC Interview
2016 - Survey Paintings
2015 - Collection #1
2015 - Bristol Pound/Neon Video
2014/16 - Neon (Bristol)
2013 - Sketches

Assortment
2021 - Forced Collaboration
2019 - The Call of Home
2019 - Uniform
2019 - Dialogues 5 at Newbridge
2016 - B Drawings
2013 - Paper Stages
2013 - In Official Proceedings
2013 - Port and Starboard


Mark




Briquette Well at Razklon Gallery with Tsarino Foundation, Bulgaria
08/10/21 - 03/11/21

Project PLOT takes its starting point from the plotlanders, a DIY community that resided in Basildon, UK, the artists birth town. Many plotlanders were displaced when the area was designated as a New Town in 1949, with some remnants remaining in the form of bricks embedded in the ground.

Over the last 3 years I have been producing paper briquettes as a point of entry and allegory to discuss this past community. For the Razklon Gallery, the briquettes have been formed cylindrically, reminiscent of a water well. For plotlanders, water wells were an ample supply of water and, furthermore, in Tsarino, roadside wells and taps have a deep rooted meaning in local culture. Individuals are encouraged to build them in dedication to family members and they also become meeting points, mirroring the location of the gallery at a crossroads between three villages.

At the end of the exhibition, the briquette well will be set alight for warmth facilitating group conversation and congregation.
All photographs courtesy of Tsarino Foundation













On 10th November the briquette well was set alight in a live performative event which also included a reciting of a new text written by Shaun. The buring event was not just to culminate the end of the sculpture being exhibited at the Razklon Gallery but also the end of the artist using briquettes as a method of making. Shauns interest in the process and function of briquette making and the history of water wells led to a group congregation around light and warmth. The burning work was accompanied by a recital of the text about the history of the plotland community in realtion to briquette making and its current context at Tsarino.