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Shaun C. Badham



EDGELANDS
2025 - The Biscuit
2024 - An Edgeland Plot
2024 - The Passing Series
2023 - House of Annetta
2023 - Herons Stream
2022/23 - Tidehouse

FOLLOW THE FOREST
2025 - Follow the Forest Audio/Map
2024 - Follow the Forest Walk
2023 - Marking the Land Publication
2022 - Marking the Land Walk

PLOT
2025 - Land Barriers
2023 - Splitting the Land
2022 - TOW
2021 - Podcast
2021 - The Peoples Landscape
2021 - Brandenburg, Germany
2021 - Tsarino
2021 - Estuary Festival
2021 - Geographical Map Paintings
2020 - Caraboo Loops
2020 - Alexandra Road
2020 - This Plot is Not for Sale
2019 - The Haven
2019 - A Street Loud with Echoes
2019 - Briquette
2018 - Research Panels
2018 - River Garage Studio
2018 - Back Lane West

MORNING
2018/20 - Featured
2017 - Kestle Barton
2017 - Essay
2017 - Goldsmiths
2016 - Publication
2016/17 - Moon Probe
2016 - Alexandra Road
2016 - King Edward Centre
2016 - Victoria Park
2015 - Posters and T-shirts
2014/15 - Research
2014 - Liminal Space
2014 - Encounter

I’M STAYING
2021 - Outpost Members Show
2019 - Adaptation to the Home
2019 - The Will to Proceed
2019 - WordPower: Language as Medium
2018/21 - Neon (London)
2018 - Currency
2015/18 - T-shirt
2016 - YAC Interview
2016 - Survey Paintings
2015 - Collection #1
2015 - Bristol Pound/Neon Video
2014/16 - Neon (Bristol)
2013 - Sketches

Assortment
2021 - Forced Collaboration
2019 - The Call of Home
2019 - Uniform
2019 - Dialogues 5 at Newbridge
2016 - B Drawings
2013 - Paper Stages
2013 - In Official Proceedings
2013 - Port and Starboard


Mark



I'M STAYING Currency prints
Digital Print
84 x 59cm
2018

In 2014 I commenced my long term project titled I’M STAYING which was initially a large scale public neon also reading I’M STAYING which travelled democratically around the city of Bristol moving quarterly over 2 and a half years. While the neon traveled around the city of Bristol, I undertook the intervention of stamping a certain amount of the independent currency titled Bristol Pound, with a red I’M STAYING ink stamp. This allowed the neon and the stamped currency to travel around the city at the same time. In 2018, for Sculpture in the City the I’M STAYING neon arrived at Leadenhall Market, in the 'City of London', known as the historic financial district. I instigated to repeat the same intervention. After an email correspondence with the Bank of England my proposal to stamp the Pound Sterling was rejected. I have since designed a custom note titled I’M STAYING Currency, which includes design and layout references from Sterling, Euro, Leadenhall Market, the neon and online searches for images depicting democracy.



I'M STAYING Currency (Five) Digital Print, 84 x 59cm, 2018.


I'M STAYING Currency (Five) Digital Print, 84 x 59cm, 2018. Detail of Five note.



I'M STAYING Currency (Ten) Digital Print, 84 x 59cm, 2018.


I'M STAYING Currency (Ten) Digital Print, 84 x 59cm, 2018. Detail of Ten note.



I'M STAYING Currency (Twenty) Digital Print, 84 x 59cm, 2018.


I'M STAYING Currency (Twenty) Digital Print, 84 x 59cm, 2018. Detail of Twenty note.



I'M STAYING Currency (Fifty) Digital Print, 84 x 59cm, 2018.


I'M STAYING Currency (Fifty) Digital Print, 84 x 59cm, 2018. Detail of Fifty note.