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Shaun C. Badham



EDGELANDS
2025 - The Biscuit
2024 - An Edgeland Plot
2024 - The Passing Series
2023 - House of Annetta
2023 - Herons Stream
2022/23 - Tidehouse

FOLLOW THE FOREST
2025 - Follow the Forest Audio/Map
2024 - Follow the Forest Walk
2023 - Marking the Land Publication
2022 - Marking the Land Walk

PLOT
2025 - Land Barriers
2023 - Splitting the Land
2022 - TOW
2021 - Podcast
2021 - The Peoples Landscape
2021 - Brandenburg, Germany
2021 - Tsarino
2021 - Estuary Festival
2021 - Geographical Map Paintings
2020 - Caraboo Loops
2020 - Alexandra Road
2020 - This Plot is Not for Sale
2019 - The Haven
2019 - A Street Loud with Echoes
2019 - Briquette
2018 - Research Panels
2018 - River Garage Studio
2018 - Back Lane West

MORNING
2018/20 - Featured
2017 - Kestle Barton
2017 - Essay
2017 - Goldsmiths
2016 - Publication
2016/17 - Moon Probe
2016 - Alexandra Road
2016 - King Edward Centre
2016 - Victoria Park
2015 - Posters and T-shirts
2014/15 - Research
2014 - Liminal Space
2014 - Encounter

I’M STAYING
2021 - Outpost Members Show
2019 - Adaptation to the Home
2019 - The Will to Proceed
2019 - WordPower: Language as Medium
2018/21 - Neon (London)
2018 - Currency
2015/18 - T-shirt
2016 - YAC Interview
2016 - Survey Paintings
2015 - Collection #1
2015 - Bristol Pound/Neon Video
2014/16 - Neon (Bristol)
2013 - Sketches

Assortment
2021 - Forced Collaboration
2019 - The Call of Home
2019 - Uniform
2019 - Dialogues 5 at Newbridge
2016 - B Drawings
2013 - Paper Stages
2013 - In Official Proceedings
2013 - Port and Starboard


Mark






PLOT: Briquette
The Old Waterworks, Southend. 5th Oct 2019.

A workshop with artist Shaun C Badham using the process of briquette making as a way to generate dialogue around the Plotland history in Basildon. The aim: to expand conversations surrounding local issues including building and regional development, displaced communities and DIY living.

The Plotlanders in Essex were a radical DIY community who acquired plots of land through auction after the agricultural depression in the late 19th century. Building weekend retreats and smallholdings through alternative processes and local salvaged materials, the Plotlanders often held ‘back to the land’ ambitions realised through smallholdings that included vegetable plots and the farm animals.

In 1949 Basildon was designated as a New Town; an act that led to the compulsory purchase and demolition of the Dunton Plotlands. Today you can still find bricks in the ground, in the form of foundations, boundary walls, wells and other Plotland remnants. The image of bricks embedded in the ground appears symbolic, as a reminder of the community that once lived and flourished here.

In this workshop, we’ll be forging new bricks by creating briquette’s out of newspaper materials. The use of the briquette as a vehicle for making and conversing is used in deference to the original Plotland communities. The physicality of the briquette itself reminiscent of those bricks still protruding from the ground in Basildon today.

PLOT: Briquette is part of A Street Loud With Echoes, a project in partnership with South Kiosk and funded by Arts Council England. A Street Loud With Echoes opens at South Kiosk on 17th October from 6:30pm and runs till 17th November, featuring artists Shaun C Badham, Donald Harding, Maeve O Neill with accompanying text by Carlos Romo-Melgar.